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Index: R

RA files

backward compatibility: 6.2.3. HTTP streaming tutorial
format conversion: 6.3.2. Using the RealEncoder
MIME types: 6.2.2. Requirements for HTTP streaming

radio broadcasts: 1.2. What you can do with sound on the Web

radio stations

setting up: 8.6.1. Running your own station

radio voice-overs, dynamic microphones: 3.1.1.2. Dynamic microphones

RAM files: 6.1.5. RealAudio 5.0 file types and metafiles

6.2.2. Requirements for HTTP streaming

RAM requirement, RealServer: 6.3.3.2. RealServer system requirements

Raspberry Media Player: 9.3.6. Quick and easy audio streaming with Shockwave

Shockwave, use with: 9.3.6. Quick and easy audio streaming with Shockwave

RealAudio: 1.1. A brief history of web audio

6. Encoding, Serving, and Streaming Sound with RealAudio

bandwidth negotiation: 6.3.3.3. Using bandwidth negotiation

batch encoding options: 6.3.2.1. Encoding RealAudio with a batch processor

Beatnik vs.: 11.1. New possibilities for interactive sound

broadcasting through firewalls: 6.4.1. Broadcasting through firewalls

codecs: 6.3.1. Selecting the right RealAudio codecs

custom player controls

creating: 6.4.2. Creating custom player controls
embedding with RealPublisher: 6.4.2.3. Embedding custom player controls with RealPublisher

database management and content tracking: 6.4.6. Database management and tracking of RealAudio content

dedicated servers: 5.1. Streaming protocols

delivery, RealMedia clips: 6.1.6. RealAudio delivery

encoding: 5.1.1. Lossy compression

6.1.1. RealEncoder and RealPublisher
7.1. SureStream
RealEncoder and RealPublisher: 6.1.1. RealEncoder and RealPublisher

file types and metafiles (5.0): 6.1.5. RealAudio 5.0 file types and metafiles

indexing RealMedia clips: 6.4.3. Indexing RealMedia clips: creating a table of contents

live broadcasting: 6.5. Live broadcasting with RealAudio

Mtley Cre concert: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

multimedia: 5.2.2. Windows Media Technologies (Netshow)

online help: 6.1.3. RealPlayer

player or decoder (see RealPlayer)

port 7070: 6.3.3.1. RealServer installation

professional webcasting: 6.3. Professional webcasting

RealFlash content, creating: 6.4.4. Creating RealFlash content

Server: 6.1.2. RealServer

installation: 6.3.3.1. RealServer installation
load balancing: 6.4.7. Load balancing

stream narration: 1.7.1.2. Embedding narration in a web page

streaming from web server: 6.2. Streaming RealAudio from a web server

synchronized presentations, creating with RealSystem 5.0: 6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

utilities, editing and synchronizing RealMedia files: 6.1.4. RealAudio utilities

versions: 6.1. The RealMedia System

RealEncoder: 6. Encoding, Serving, and Streaming Sound with RealAudio

6.1.1. RealEncoder and RealPublisher
6.3.2. Using the RealEncoder
HTTP streaming: 6.2.3. HTTP streaming tutorial
input and output settings: 6.2.3. HTTP streaming tutorial
live broadcasting: 6.5. Live broadcasting with RealAudio
options (version 5.0): 6.3.2. Using the RealEncoder
tools, pre-installed: 6.1.4. RealAudio utilities

RealFlash: 5.2.2. Windows Media Technologies (Netshow)

7.5. RealFlash
Animation metafile: 6.4.4. Creating RealFlash content
Bandwidth Tuner: 6.4.4. Creating RealFlash content
broadcasting: 6.3.3. Broadcasting audio with the RealServer
content, creating: 6.4.4. Creating RealFlash content
creating, basic steps: 7.5. RealFlash
incorporating files into RealSystem G2: 7.5. RealFlash
RealSystem G2 Production Guide, information on: 7.5. RealFlash

RealMedia: 5.2. Streaming media formats

6. Encoding, Serving, and Streaming Sound with RealAudio
clips: 6.1.6. RealAudio delivery
codecs: 6.1.1. RealEncoder and RealPublisher
compression: 1.7.1.1. Capturing narration
editing tools: 6.1.4. RealAudio utilities
Internet: 6.1.2. RealServer
metafiles: 6.1.5. RealAudio 5.0 file types and metafiles
online documentation: 6.1.3. RealPlayer
RealSystem 5.0, components of: 6.1. The RealMedia System
table of contents: 6.4.3. Indexing RealMedia clips: creating a table of contents
versions: 6.1. The RealMedia System
Windows Media, advantages over: 5.2.2. Windows Media Technologies (Netshow)

RealMedia Xtra,: 9.3.1. Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds

RealNetwork

RealText Authoring Guide: 7.4.3. Hyperlinking

RealNetworks: 5.2.1. RealMedia and RealAudio

RealEncoder and RealPublisher applications: 6.1.1. RealEncoder and RealPublisher
versions: 6.1. The RealMedia System

RealNetworks Consulting Group: 6.6.5.1. Remote encoding and management

RealNetworks DevZone: 6.1.3. RealPlayer

6.2.3. HTTP streaming tutorial

RealPix markup language: 5.2.2. Windows Media Technologies (Netshow)

6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

effect tags: 7.3.1. RealPix syntax

attributes, timing and placement: 7.3.1. RealPix syntax

hyperlinking: 7.3.2. Hyperlinking

images, moving, zooming in or panning back: 7.3.1. RealPix syntax

slideshow: 7.3.1. RealPix syntax

syntax: 7.3. RealPix

RealPlayer: 6.1.3. RealPlayer

6.2.3. HTTP streaming tutorial
custom controls, building with JavaScript: 6.4.2. Creating custom player controls
Plug-in metafile: 6.1.5. RealAudio 5.0 file types and metafiles
transparent plug-ins: 6.4.2.1. Creating custom controls with JavaScript

RealPlayer Plus: 6.1.3. RealPlayer

RealProducer: 6. Encoding, Serving, and Streaming Sound with RealAudio

6.1.1. RealEncoder and RealPublisher

RealProducer Pro: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

RealPublisher: 6.1.1. RealEncoder and RealPublisher

cutom player controls: 6.4.2.3. Embedding custom player controls with RealPublisher
mobile playback: 6.3.2. Using the RealEncoder

RealServer: 5.2.2. Windows Media Technologies (Netshow)

6.1.2. RealServer

archiving: 6.6.3. Archiving live broadcasts

broadcasting audio: 6.3.3. Broadcasting audio with the RealServer

config file, enabling HTTP Cloaking: 6.4.1. Broadcasting through firewalls

installing: 6.3.3.1. RealServer installation

Content directory: 6.3.3.3. Using bandwidth negotiation
on Unix machines: 6.3.3.1. RealServer installation
system requirements: 6.3.3.2. RealServer system requirements

live broadcasting: 6.5. Live broadcasting with RealAudio

load balancing: 6.4.7. Load balancing

multicast delivery: 6.4.1. Broadcasting through firewalls

RealSlideshow: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

RealSystem 5.0

components of: 6.1. The RealMedia System
file types and metafiles: 6.1.5. RealAudio 5.0 file types and metafiles
synchronized RealAudio presentations with: 6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

RealSystem G2: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

backwards compatibility: 7.6. Delivering backwards-compatible content

bandwidth negotiation: 5.2.1. RealMedia and RealAudio

case study, TechWeb Today: 7.7. Case study: TechWeb Today

clustering: 5.2.1. RealMedia and RealAudio

content plan: 7.7.1. Deciding what to show

dynamic bandwidth allocation: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

encoding innovations in: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

file types and formats supported by: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

formats supported: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

multicasting: 5.2.1. RealMedia and RealAudio

playback options: 6.4.2. Creating custom player controls

presentation design: 7.7.1. Deciding what to show

problems: 7.7.3. Problems and workarounds

Production Guide, information on RealFlash: 7.5. RealFlash

RealFlash, streaming vector animations with: 7.5. RealFlash

RealPix markup language: 7.3. RealPix

RealText markup language: 7.4. RealText

RTSP transmission: 5.2.1. RealMedia and RealAudio

SMIL: 7.2. SMIL

SMIL-based multimedia: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

splitting: 5.2.1. RealMedia and RealAudio

SureStream: 6.3.3.3. Using bandwidth negotiation

7.1. SureStream

synchronization: 7.7.2. Synchronizing media types

timing: 7.7.2. Synchronizing media types

RealText markup language: 5.2.2. Windows Media Technologies (Netshow)

6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0
7.4. RealText
and tags: 7.4.2. Window types
basic file, example of: 7.4.2. Window types
HTML tags, support of: 7.4.1. RealText syntax
hyperlinking: 7.4.3. Hyperlinking
RealText Authoring Guide: 7.4.3. Hyperlinking
syntax: 7.4.1. RealText syntax
time, syntax for: 7.7.3. Problems and workarounds
timelines in captioned graphics: 7.4.2. Window types

RealTime Streaming Protocol (RTSP): 5.1. Streaming protocols

7. Designing Multimedia Presentations with SMIL and RealSystem G2

RealVideo: 5.2.2. Windows Media Technologies (Netshow)

broadcasting: 6.3.2.1. Encoding RealAudio with a batch processor
controls, hidden: 6.4.2.4. Playing clips with a hidden control or plug-in
encoding: 7.1. SureStream

record stores, online: 1.2. What you can do with sound on the Web

Recording Industry Association of America (RIAA): 8.6.2.2. Complying with copyright laws

8.7.1. Is MP3 legal?

recording level: 3.2.1.3. Desktop audio recording

recording techniques: 3.2. Recording techniques

field: 3.2.2. Field recording
studio: 3.2.1. Studio recording

reflections: 2.1.4. Sound propagation and acoustics

reflectors: 8.6. Start your own MP3 radio station

remote encoding: 6.6.5.1. Remote encoding and management

repetitive sound, avoiding: 1.5. Audio challenges and limitations

resolution: 3.1. Selecting the right equipment

reverberation: 4. Optimizing Your Sound Files

4.2.1. Reverb
artificial: 4.2.1. Reverb
delay: 2.1.5. Reverberation and delay
recording environment: 3.2.1.1. Proper room acoustics: capturing a "dry" signal

reverse effect: 4.2.5. Backwards

rhythm, importance in sound design: 1.5. Audio challenges and limitations

rhythm loops, seamless: 1.7.3.3. Optimum loop length

Rich Music Format (RMF): 5.2. Streaming media formats

5.2.5. Beatnik's Rich Music Format (RMF)
11. Designing Audio Web Sites with Beatnik
ready-made music files from Beatnik: 11.3.3. Lesson 3: Adding simple background music
.rmf files, creating with Beatnik Editor: 11.2.3. Beatnik Editor

Ridgway, Reid: 1.9.2. Timing loops

Rio player: 8.4.3.1. Selecting tracks

ripping: 8.4.1.1. Working with the CDDB

RM (RealMedia) files

format conversion: 6.3.2. Using the RealEncoder
HTTP streaming: 6.2.2. Requirements for HTTP streaming
RealFlash: 6.4.4. Creating RealFlash content
RealMedia clips: 6.1.4. RealAudio utilities

RMEdit: 6.1.4. RealAudio utilities

RMMerge utility: 6.1.4. RealAudio utilities

synchronizing RealAudio output with: 6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

rmserver.cfg: 6.4.1. Broadcasting through firewalls

Rocktropolis web site: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

Roland Sound Canvas: 5.2.3. QuickTime

10.3. Creating your own MIDI files

Roland Sound set: 10.1.1. Advantages to using the MIDI format

room tone: 4.1.2. Avoiding gaps between edited sections

rooms, determining acoustic characteristics of: 3.2.1.1. Proper room acoustics: capturing a "dry" signal

root-layout tag, SMIL: 7.2.1. SMIL syntax

RPM files: 6.1.5. RealAudio 5.0 file types and metafiles

6.2.2. Requirements for HTTP streaming

RTSP (RealTime Streaming Protocol): 5.1. Streaming protocols

7. Designing Multimedia Presentations with SMIL and RealSystem G2

RVBatch command: 6.3.2.1. Encoding RealAudio with a batch processor

Rvencode directory: 6.3.2.1. Encoding RealAudio with a batch processor

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