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Index: C

cable modems: 5.1.1. Lossy compression

cables

using high-quality: 3.1.9. High-quality cables

Cakewalk: 6.3. Professional webcasting

10.3.3. MIDI file editing tutorial

captions, appearing consecutively beneath graphics: 7.4.2. Window types

cardioid microphones: 3.1.1.5. Directionality and pick-up patterns

CBR (constant bitrate): 8.4.1. Encoding MP3 files

CDDB (compact disc database): 8.4.1.1. Working with the CDDB

8.4.2.5. CDDB database support

CDNow: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

Cevents utility, RealAudio: 6.4.5. Creating synchronized RealAudio presentations with RealSystem 5.0

cgi-bin directory: 6.4.7. Load balancing

Cisco, load balancing: 6.4.7. Load balancing

Class C network: 8.6.1.3. Installing the SHOUTcast server software

classical music concerts, broadcasting live: 6.6.1. Capturing high-quality live sound

clustering: 6.1.2. RealServer

codecs: 4.3.1. Normalization: maximizing the dynamic range

bandwidth, RealAudio: 6.3.1. Selecting the right RealAudio codecs

determining which to use: 6.3.1. Selecting the right RealAudio codecs

lossless: 5.1.2. Lossless compression

lossy: 5.1.1. Lossy compression

MP3, installing appropriate: 8.6.1.2. Installing an appropriate MP3 codec

RealAudio: 6.3.1. Selecting the right RealAudio codecs

6.3.2.1. Encoding RealAudio with a batch processor

RealSystem G2, improvements in: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

coloration: 3.1.5. Studio reference speakers

command-line batch encoding options (RealAudio): 6.3.2.1. Encoding RealAudio with a batch processor

compact disc database (CDDB): 8.4.1.1. Working with the CDDB

8.4.2.5. CDDB database support

compact discs

extracting data from: 8.4.1. Encoding MP3 files

interactive sound: 1.9. Interactive sound design case study

track numbers: 8.4.2.4. Working with ID3 tags

compression: 4.3.2. Compression: reducing sound peaks and spikes

5.1.1. Lossy compression

formats: 1.7.1.1. Capturing narration

MP3: 8.2. What is MP3?

compression rates, Flash: 9.2.2.2. Publishing and file size optimization

compressors: 3.1.4. Compressors/limiters

4.3.1. Normalization: maximizing the dynamic range

condenser microphones: 3.1.1.3. Condenser microphones

connection rates, RealSystem G2: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

constant bitrate (CBR): 8.4.1. Encoding MP3 files

content layers: 1.2. What you can do with sound on the Web

controls, embedded: 6.4.2. Creating custom player controls

conversion, file formats

to RealMedia formats: 6.3.2. Using the RealEncoder

Cool Edit: 1.7.3. Designing music loops

CoolEdit: 4. Optimizing Your Sound Files

6.3. Professional webcasting

copyright laws: 8.6.2.2. Complying with copyright laws

infringement of: 8.7.1. Is MP3 legal?

Liquifier Pro, anti-piracy protections: 5.2.7. Liquid Audio

MP3 and: 8.7. Legalities of MP3

cross-fades: 1.7.3.1. Sound loops versus repetitive sound effects

cross-platform sequencer: 10.3.3. MIDI file editing tutorial

crowd noises: 6.6.1. Capturing high-quality live sound

cursors, custom: 8.3.4.1. Skin-making tutorial

CUSeeMe: 8.6. Start your own MP3 radio station

custom player controls

creating with JavaScript: 6.4.2. Creating custom player controls

embedding with RealPublisher: 6.4.2.3. Embedding custom player controls with RealPublisher

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