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Index: M

Mac OS X Server: 5.2.3. QuickTime

Macast: 8.8. MP3 resources

Macintosh

batch-encoding audio files, parameters for: 6.3.2.1. Encoding RealAudio with a batch processor
RealServer system requirements: 6.3.3.2. RealServer system requirements

Macromedia Dreamweaver: 6.4.2.3. Embedding custom player controls with RealPublisher

Macromedia Flash

RealFlash, streaming animations in RealSystem G2: 7.5. RealFlash

marquee window type, RealText: 7.4.2. Window types

masking: 2.1.1. Loudness

mastering: 4.3. Web mastering: optimizing sound files for Internet broadcasting

normalization: 4.3.1. Normalization: maximizing the dynamic range

MCI Enterprise Information Systems: 6.4.1. Broadcasting through firewalls

6.4.2.1. Creating custom controls with JavaScript

memory, RAM requirement for RealServer: 6.3.3.2. RealServer system requirements

meta tags, SMIL: 7.2.1. SMIL syntax

Methodizer: 11.2.2. Beatnik Audio Engine

Microangelo: 8.3.4.1. Skin-making tutorial

microphone pre-amps: 3.1.2. Microphone pre-amps

microphones

bidirectional: 3.1.1.5. Directionality and pick-up patterns
cardioid: 3.1.1.5. Directionality and pick-up patterns
condenser: 3.1.1.3. Condenser microphones
dynamic: 3.1.1.2. Dynamic microphones
features, important: 3.1.1.6. Frequency response
frequency response: 3.1.1.6. Frequency response
lavaliere clip-on: 3.1.1.4. Lavaliere clip-on microphones
omnidirectional: 3.1.1.5. Directionality and pick-up patterns
placement: 3.2.1.2. Optimizing your recording environment
shotgun: 3.1.1.5. Directionality and pick-up patterns
transducers: 3.1.1. Microphones

Microsoft

Internet Information Server: 6.3.3.2. RealServer system requirements
Media Player: 8.8. MP3 resources
Site Server: 5.2.2. Windows Media Technologies (Netshow)
Windows Media Technologies for NT/Windows 2000: 5.2.2. Windows Media Technologies (Netshow)
Windows NT 4.0, requirement for RealServer: 6.3.3.2. RealServer system requirements

MIDI Manufacturers Association (MMA): 10.2.1. Making a MIDI jukebox

MIDI (Musical Instrument Digital Interface): 1.1. A brief history of web audio

5.2. Streaming media formats

5.2.8. MIDI

10. MIDI: Quick and Easy Audio for the Web

adding to web pages: 10.2. Adding MIDI to your web pages

advantages: 10.1.1. Advantages to using the MIDI format

Beatnik: 5.2.5. Beatnik's Rich Music Format (RMF)

Beatnik, use of: 11.2. Beatnik authoring system

consistent playback: 10.3. Creating your own MIDI files

creating your own files: 10.3. Creating your own MIDI files

editing files: 10.3.3. MIDI file editing tutorial
from scratch: 10.3.4.1. Creating your own MIDI file

DLS, implementation of: 10.3.4.2. Adding notes without using a keyboard

drawing notes: 10.3.4.2. Adding notes without using a keyboard

editors: 10.3.1. MIDI editors

event sounds: 10.2.2. Add a bit of spice to your site

extracting parts: 10.3.3. MIDI file editing tutorial

HTTP web servers: 5.1. Streaming protocols

jukebox: 10.2.1. Making a MIDI jukebox

keyboard: 10.3.4.1. Creating your own MIDI file

libraries, web sites for: 10.2.1. Making a MIDI jukebox

notes, changing: 10.3.2.3. Changing notes

10.3.3.4. Changing notes

pitch-shifting: 10.3.2.2. Pitch-shifting

problems: 10.1.1. Advantages to using the MIDI format

QuickTime: 5.2.3. QuickTime

regions, inserting: 10.3.2.4. Inserting regions

removing instruments: 10.3.2.1. Removing instruments

sound engines: 10.1.1. Advantages to using the MIDI format

strip charts: 10.3.3.5. Using the strip chart

transposing pitch: 10.3.3.3. Transposing pitch

tunes, creating: 10.3.2.5. Creating your own tunes

MIME types

HTTP streaming: 6.2.2. Requirements for HTTP streaming
RealAudio: 6.1.6. RealAudio delivery
RealServer: 6.3.3.2. RealServer system requirements

mixers: 3.1.3. Mixers

Enigma: 9.3. Introduction to Shockwave

mixing audio: 1.7.3.2. Good ambient loop mixing

mixing boards: 3.1.3. Mixers

Mixman remixers, Beatnik: 11.2. Beatnik authoring system

mobile playback: 6.1.4. RealAudio utilities

RealPublisher, enabling with: 6.3.2. Using the RealEncoder

Monitor Encoder: 6.6.5.1. Remote encoding and management

Motion Pictures Expert Group (MPEG): 8.2. What is MP3?

mouse rollover: 9.2.1. Flash audio: event-driven sound versus streaming sound

movie playback: 5.2.3. QuickTime

movies, sound design examples: 1.6. Solid sound design

Moving Pictures Experts Group (see MPEG)

MP3: 5.2.6. MP3

8. Playing, Serving, and Streaming MP3

audition threshold: 8.2.1. MP3 technical details

codec, installing appropriate: 8.6.1.2. Installing an appropriate MP3 codec

compression: 1.7.1.1. Capturing narration

creating files: 8.4. Making MP3 files

disadvantages: 8.1. MP3 pros and cons

download sites, listing of: 8.5.1. Creating your own MP3 site

encoding files: 8.4.1. Encoding MP3 files

Flash: 5.2.4. Flash and Director Shockwave

frames: 8.2.1. MP3 technical details

history: 1.1. A brief history of web audio

HREF tag: 8.5. Creating a buzz: posting MP3 files to the Internet

Huffman encoding: 8.2.1. MP3 technical details

Internet distribution quality standard: 8.4.2.3. 128 Kbps Internet standard

Internet, posting files to: 8.5. Creating a buzz: posting MP3 files to the Internet

joint stereo: 8.2.1. MP3 technical details

legal issues: 8.7. Legalities of MP3

Internet downloads: 8.7.2. Legal MP3 files: headline artists sign up for MP3

masking: 8.2.1. MP3 technical details

MIME types: 8.5. Creating a buzz: posting MP3 files to the Internet

Netscape Navigator (older versions) and: 8.3.4.1. Skin-making tutorial

online resources: 8.8. MP3 resources

players: 8.4. Making MP3 files

8.4.3.1. Selecting tracks

playing files: 8.3. Playing MP3 files

plug-ins: 8.3.5. Plug-ins

posting files to Internet: 8.5. Creating a buzz: posting MP3 files to the Internet

QuickTime: 5.2.3. QuickTime

radio station, starting your own: 8.6. Start your own MP3 radio station

search engines for sites and files: 8.5.1. Creating your own MP3 site

security: 5.2.7. Liquid Audio

sites, creating your own: 8.5.1. Creating your own MP3 site

stream narration: 1.7.1.2. Embedding narration in a web page

streaming: 8.5.1. Creating your own MP3 site

MP3.com: 8.7.1. Is MP3 legal?

MPEG-1, Layer III (see MP3)

MPEG Layer 3 compression: 9.3.4. Exporting Shockwave audio files

MPEG (Moving Pictures Experts Group): 5.2.2. Windows Media Technologies (Netshow)

5.2.6. MP3
8.8. MP3 resources

Mtley Cre concert, live broadcast: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

multicast delivery, RealServer: 6.4.1. Broadcasting through firewalls

multimedia presentations, synchronized: 5.2.1. RealMedia and RealAudio

multitrack digital editors: 1.8. Interactive sound effects and buttons

multitrack sound editors: 1.7.3.4. Sound loop tutorial: creating seamless loops with a sound editor

Murch, Walter: 1.7.2. Using sound effects

Murphy, Sean: 3.1.4. Compressors/limiters

music

ambient sound loops: 1.7. Designing web audio

ambient sound loops, designing: 1.7.3. Designing music loops

loops vs. sound effects: 1.7.3.1. Sound loops versus repetitive sound effects
mixing: 1.7.3.2. Good ambient loop mixing
optimum length: 1.7.3.3. Optimum loop length
seamless music loops: 1.7.3.5. Building seamless music loops

piracy, security against: 8.4.3.1. Selecting tracks

pitch, correcting: 4.2.3. Pitch shift

sales, online: 1.2. What you can do with sound on the Web

Music Boulevard web site: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

Music Object, Beatnik: 11.2.5. Introduction to the Music Object

local serving: 11.2.3. Beatnik Editor
multiple instances on page, creating: 11.3.4. Lesson 4: Creating multiple Music Object instances on a page

music videos: 5.2.4. Flash and Director Shockwave

MusicMatch: 8.8. MP3 resources

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