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Index: F

faders: 4.3.3. Equalization: customizing your sound

field recording: 3.2.2. Field recording

ambient environmental sound: 3.2.2.3. Capturing ambient sounds

live concerts and events: 3.2.2. Field recording

on-location interviews: 3.2.2.2. On-location interviews and panel discussions

filters, low pass versus high-pass: 4.3.4.2. Using low-pass and high-pass filters

firewalls, broadcasting through: 6.4.1. Broadcasting through firewalls

Flash: 1.2. What you can do with sound on the Web

5.2. Streaming media formats

5.2.4. Flash and Director Shockwave

9. Interactive Sound Design with Flash and Shockwave

adding event sounds example: 9.2.2.1. Adding an event sound

advantages: 9.2. Introduction to Flash

animation files, exporting: 6.4.4. Creating RealFlash content

authoring environment: 9.1. Flash and Shockwave basics

compression: 9.2.2.2. Publishing and file size optimization

drawbacks: 9.1.1. Drawbacks to Flash and Shockwave

event-driven sound: 9.2.1. Flash audio: event-driven sound versus streaming sound

interactive mouse rollover sounds: 1.4. Adding sound effects

movie size: 9.2. Introduction to Flash

MP3: 9.2. Introduction to Flash

9.2. Introduction to Flash

optimization: 9.2.2.2. Publishing and file size optimization

QuickTime: 5.2.3. QuickTime

stream narration: 1.7.1.2. Embedding narration in a web page

1.7.1.2. Embedding narration in a web page

focus, audience: 1.6. Solid sound design

formats, streaming: 5.2. Streaming media formats

advantages and disadvantages: 5.3. Selecting the right format

audio fidelity: 5.3.5. Audio fidelity and compression

costs: 5.3.3. Cost for streaming audio

Director Shockwave: 5.2.4. Flash and Director Shockwave

documentation and support: 5.3.4. Learning curve and documentation support

Flash: 5.2.4. Flash and Director Shockwave

Liquid Audio: 5.2.7. Liquid Audio

low-bandwidth environments: 5.3.6. Low bandwidth performance overall

MIDI: 5.2.8. MIDI

MP3: 5.2.6. MP3

QuickTime: 5.2.3. QuickTime

RealMedia: 5.2.1. RealMedia and RealAudio

RealSystem G2, support for: 7. Designing Multimedia Presentations with SMIL and RealSystem G2

Rich Music Format: 5.2.5. Beatnik's Rich Music Format (RMF)

Windows Media: 5.2.2. Windows Media Technologies (Netshow)

Fox News: 6.3.2.1. Encoding RealAudio with a batch processor

fragmentation, hard drives: 3.1.2. Microphone pre-amps

Fraunhofer codec: 8.6.1.2. Installing an appropriate MP3 codec

free.be.com: 8.6.2.1. An easier way?

FreeBSD: 5.2.2. Windows Media Technologies (Netshow)

frequency

high-end: 1.9.1. Selecting sounds

pitch: 2.1.2. Pitch

spectrum: 2.1.2. Pitch

frequency response, microphones: 3.1.1.6. Frequency response

FTP (file transfer protocol) servers: 8.5.1. Creating your own MP3 site

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